Jennifer Friedl和er

书

Real Deceptions: The Contemporary Reinvention of Realism.  New York: Oxford University Press, 2017.

Feminine Look: Sexuation, Spectatorship, 和 Subversion. New York: State University of New York Press, 2008.

Moving Pictures: Where the Police, the Press, 和 the Art Image Meet. Sheffield: Sheffield Hallam University Press, 1998.

Peer-reviewed Journal Articles 

"Interpassivity: Bonds of Pleasure 和 Belief" in Continental Thought & Theory: A Journal of Intellectual Freedom,卷. 2、第一期. 2018年6月

“Corporeal Difference: 身体的世界 和 泄殖腔” in theory@buffalo 19 issue, “Difference: Sexual, Cultural, Universal.2017年1月

“Documentary REAL-ism: A Lacanian approach to ‘This is Not a Film’ 和 ‘Catfish.’” CiNéMAS: Journal of Film Studies. 问题: 再见拉康, 卷. 26, no 1, (2016), pp. 69-91.

“Breast Feeding 和 Middle-Class Privilege: A Psychoanalytic analysis of 'breast is best'.” 主体性 卷. 8，第1期(2015). pp. 74-91.

“Imperfecting the Illusion: Belief 和 the Aesthetic Destruction of Reality.” Discourse: Journal  for Theoretical Studies in Media 和 Culture.35.3、秋季(2013). pp. 384-399.

“Affecting Art: Barthes, Kertész, 和 Lacan.”  (Re)-turn: A Journal of  Lacanian Studies. 沃尔斯3 & 4，秋季(2008)pp. 151-172.

“No Business like Schmo Business: Reality TV 和 the Fetishistic Inversion,” International Journal of Žižek Studies，第1卷，第1期.3 (2007) pp. 1-17.

“How Should a Woman Look? Scopic Strategies for Sexuated Subjects." in Journal for Psychoanalysis of Society 和 Culture,卷. 8.1春季(2003)pp. 99-108.

Peer-reviewed Book Chapters/Edited Collections

“ÉPONGE/Sponge” in 住在一起: Rol和 Barthes, the Individual, 和 the Community(Eds. Stene-Johansen, Refsum, Schimanski). Oslo/NY: Transcript Verlag, 2018.

“How to Face Nothing: 忧郁症 和 the Feminine” in Lars von Trier’s Women (Eds. Rex Butler 和 David Denny). New York: Bloomsbury Press, 2017. pp. 201-214

 “海绵呢/ Svamp.” [translated into Norwegian] In Å放下萨门 (住在一起), (Ed. Knut Stene-Johansen). Oslo: Sc和inavian Academic Press, 2016. pp. 242-254.

“Cinematic Ends: The Ties that Unbind in Claire Denis’s 白色材料” in Cinematic Cuts: Theorizing Film Endings (Ed. 希拉遇险人员). NY: SUNY Press, 2016. pp. 109-119.

“Representing Uncertainty/Claiming Indeterminacy: Aliza Shvarts’ Unseen Yale Art Project” in Resolutions3: Global Networks of Video (Eds. Ming-Yuen马 & Erika Suderburg), Minneapolis: University of Minnesota Press, 2012. pp. 235-240.

Non-Peer-Reviewed Volume

“Public Art 和 Radical Democracy: Christoph Schlingensief’s Deportation Installation” in 都市风格. The Discreet Symptoms of Privatization 和 the Loss of 都市风格. (Eds. 内容.associates), Vienna. (2013). pp 11-19.

书评

Recension of Robert Pfaller’s The Illusions of Others: On the Pleasure Principle in Culture” in European Journal of Psychoanalysis. 2017年7月

Review of Caroline Joan S. Picart的 Inside Notes from the Outside in Review of Communication April-July (2005) pp. 156-158